KUTUBSHAHI
TOMBS
The tombs form a large
cluster and stand on a raised platform. They display a distinctive style, a
mixture of Persian, Pathan and Hindu forms. The tombs are graceful structures
with intricately carved stonework and are surrounded by landscaped gardens.
The tombs were once
furnished with carpets, chandeliers and velvet canopies on silver poles. Qurans
were kept on supports and readers recited verses from the holy book at regular
intervals. Golden spires were fitted over the tombs of the Sultans to
distinguish their tombs from those of other members of the royal family.
During the Qutub Shahi
period, these tombs were held in such great veneration that criminals who took
refuge there were granted pardon. But after their reign, the tombs were
neglected, till Sir Salar Jung III ordered their restoration in the early 19th
century. A pretty garden was laid out, and a compound wall built. And, once
again, the tomb-garden of the Qutub Shahi family became a place of serene
beauty. All, except the last, of the Qutub Shahi monarchs lie buried here.
Sultan Quli's tomb, the
style of which set the example for the tombs of his descendants, is situated on
an elevated terrace measuring 30 m each way. The tomb chamber proper is
octagonal, with each side measuring around 10 m. The whole structure is crowned
by a circular dome. There are three graves in this tomb chamber and 21 on the
terrace outside, all uninscribed, except for the main tomb. The inscription on
Sultan Quli's tomb is in three bands, in the Naskh and Tauq scripts. The
inscription refers to Sultan Quli as Bada Malik (TheGreat Master) - the
endearing term by which all people of the Deccan used to refer to him. The tomb
was built in 1543 A.D. by the Sultan, during his lifetime itself, as was the prevalent
custom.
Near the tomb of Sultan Quli
is that of his son, Jamshed, the second in the line of Qutub Shahi kings. Built
in 1550 A.D., this is the only Qutub Shahi tomb which has not been fashioned
from shining black basalt. Its appearance too, is quite unlike the other tombs
in the garden - it rises gracefully in two stories, unlike the squat tombs of
the other kings. Jamshed's is also only tomb of a Qutub Shahi ruler without any
inscriptions; of course, Jamshed's son, Subhan Quli's tomb too does not have
any inscriptions. But Subhan Quli ruled for too short a while to really matter.
Subhan's tomb stands mid-way between the tombs of his father and grandfather.
He was popularly called Chhote Malik (small master).
Sultan lbrahim's-tomb, built
in 1580, after his death, is slightly larger than Sultan Quli's tomb. Traces of
the enameled tiles ,which once adorned this mausoleum can still be seen on the
southern wall. The tomb has two graves in the main chamber and 16 graves on the
terrace, some of them probably those of his six sons and three, daughters.
There are inscriptions in the Thulth script on all faces of the sarcophagus. It
is interesting to note that the three famous calligraphists - Isphalan, Ismail
and Taqiuddiii Muhammad Salih - who left a store of Naskh, Tulth and Nastaliq inscriptions on the
many Qutub Shahi edifices in the city, were all contemporaries of Ibrahim Shah.
Sultan Muhammad Quli's
mausoleum is, by far, the grandest of the Qutub Shahi tombs. Built in 1602
A.D., the tomb is situated on a terrace 65 m square and 4 m high. A flight of
steps leads to the mausoleum proper, which is 22 m square on the outside and 11
m square on the inside. There are entrances on the southern and eastern sides.
The tomb itself is situated in a vault below the terrace. Inscriptions in
Persian and the Naskh scripts decorate the tomb. Another grand mausoleum is
that of the sixth Sultan, Mohanunad Qutub Shah. The facade of this tomb was
once decorated with enameled tiles, only traces of which are now evident. There
are six graves altogether in this tomb and inscriptions in Tulth and Naskh. The
mausoleum was built in 1626. Sultan Abdullah's tomb is the last of the royal
tombs, as Abdul Hasaii (Taiia Sliah), the last Qutub Stlafii king, was a
prisoner in the Ciiini Mahal in the fortress of Daulatabad, near Aurangabad,
when he died.
While the tombs of those who
ruled dominate the area, interspersed are many other monuments too, most of
them tombs of other members of the Royal family.
The tomb of Fatima Sultan,
with its bulbuous dome, is near the entrance to the tomb-garden. Fatima was the
sister of Mohammad Qutub Shah. Her tomb houses several graves, two of them with
inscriptions. Immediately to the south of Muhammed Qul's tomb are three
uninscribed tombs There are the mausoleums of Kulthoom, Mohammad Qutub Shahi's
grand-daughter born of be son of The Sultan's favourite wife, Khurshid Bibi,
her (Kulthoom's) husband and daughter. Kulthoom's Tomb- is one on the west of
this cluster.
The twin-tombs of the two
favouritc hakims (physicians) ot'Sultan Abdullah-Nizamuddin Ahamad Gilani and
Abdul Jabbar Gilani - were built in 1651. They are among the few Qutub Shahi
tombs that are not of Royalty.
Another pair of tombs are
those of Premamati and Taramati - the favourites of Sultan Abdullah Shah. These
lively beauties, who are believed to have once danced on ropes tied between
their pavilion and Abdullah's palace, were laid to rest beside the tomb of
their patron. One other tomb which is not that of a Qutub Shahi family member
is the tomb of Neknam Khan. Neknam Khan, who served in Abdullah's army, was the
commander-in-chief of the Carnatic. Talboys Wheeler, in his book Madras in the
Olden Times,records that the cowle (contract) handing over Madraspattnam to the
British, was obtained from Nekam Khan, after the Raja of Chandragiri - whose
property Madraspattnam was had fled. His tomb is situated on a platform outside
the mausoleum of Ibrahim Qutub Shah. It was built in 1672, two years after the
death of Nekam Khan.
The mausoleum which Abdul
Hasan, the last Qutub Shahi Sultan, began building for himself, actually houses
the grave of Mir Ahmad, the son born of Sultan Abdullah's son-in-law's
relationship with the sister of Abbas II Safair, the Shah of Persia. The tomb
of Fadma Khanum, one of Sultan Abdullah's daughters, stands near the mausoleum
of her husband, Mir Ahamad. Hers is the only Qutub Shahi tomb not surmounted by
a dome.
To the west of the tombs
lies the dargah of Husain Shah Wali, the revered Sufi Saint, He is
affectionately remembered by people of all faiths as the builder of Husain
Sagar in 1562. Among other monuments in the garden, that are not tombs, the
most important are the Mortuary Bath and the Mosque of Hayat Bakshi Begum.
The Mortuary Bath, which
stands opposite the tomb of Muhammad Quli, was built by Sultan Quli to
facilitate the ritual washing of the bodies of the dead kings and others of the
Royal Family before they were carried to their final resting place. The
practice followed was to bring the body out of the fort, through the Banjara
Gate, to this bath, before carrying it away for burial with the ritualistic
pomp that was required to mark the occasion. A large number of people, fond
subjects, friends and relatives attended. The bath itself is one of the finest
existing specimens of ancient Persian or Turkish baths.
The Qutub Shahis built a
number of mosques all over Golconda and Hyderabad, and almost every tomb has a
mosque adjacent. The biggest and the grandest such mosque is by the mausoleum
of Hayat Bakshi Begum. Popularly known as the great mosque of the Golconda
tombs, it was built in 1666 A.D. Fifteen cupolas decorate the roof and the
prayer-hall is flanked by two lofty minarets. The impression, as a whole, is
one of majesty and splendour. The inscriptions in the mosque are master-pieces
of calligraphic art.
Hayath Bakshi Begum was the
daughter of Muhammad Quli Qutub Shah, the fifth king, the wife of the sixth
king, Sultan Muhammad Qutub Shah and the mother of Abdullah Quli Qutub Shah,
the seventh king. Affectionately known as 'Ma Saheba' (Revered Mother), she was
guide and mentor to all three kings. Several monuments survive in her memory in
and around Hyderabad. Hayath Nagar Palace (16 kms. east of Hyderabad), where
the ceremony of Sultan Abdullah Qutub Shah's first shave was celebrated with
pomp and grandeur for twelve days, the Hayath Nagar Mosque which bears
testimony to the greatness of Qutub Shahi architecture, the Caravan Sarai (or
the Sarai of Ma Saheba), (sarai or rest house - was a combination of a waterhole
and oasis for weary travellers) comprising several hundred rooms intended for
the use of travellers, and Ma Saheba Tank, enroute to Golconda. The tomb-garden
of the Kings of Golconda was known as Lagar-e-Faiz Athar (a place for bountiful
.entertainment) in the days of the Qutub Shahi kings, for some item or song or
dance or even an occasional play was staged here every evening, free of cost,
to entertain the poor.The present caretaker of the tombs is a descendant of the
one appointed by Sir Salar Jung. It is a hereditary occupation.
Quite close to the Golconda
fort are the tombs of the seven Qutub Shahi rulers in the Ibrahim Bagh. The
galleries of the smaller tombs are of a single story while the larger ones are
two storied. In the center of each tomb is a sarcophagus which overlies the
actual burial vault in a crypt below. The domes were originally overlaid with
blue and green tiles, of which only a few pieces now remain.
The tombs are domed
structures built on a square base surrounded by pointed arches. The mausoleums
of the Sultans of Golconda, the founding rulers of Hyderabad are truly
magnificent monuments that have stood the test of time and braved the elements.
They lie about a kilometer north of the outer perimeter wall of Golconda Fort's
Banjara Darwaza amidst the Ibrahim bagh.
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